ErlaHaraldsdóttir

Erla S. Haraldsdóttir býður í Útgáfuhóf á Maniere Noir í Berlín “Patterns of the family”

Sunday 3. Nov at 3 pm

Book launch at ´uns in manière noire
Waldenserstr. 7a
10551 Berlin

We will present the Booklet “Patterns of the Family”
by Erla S. Haraldsdóttir.
Publisher´uns and Listasafn Reykjanesbæjar
Designer Ariane Spanier
Texts by Craniv Boyd and Guðrún Erla Geirsdóttir.

Erla S. Haraldsdóttir and publisher Guðrún Benónýsdóttir will introduce the book at 16.00.

On Sunday we are delighted to serve Icelandic pastry made by
chef Maxime Everaert. This delicacy will be served to guests with Coffee and hot Cacao.

The game of painting.
Erla S. Haraldsdóttir is an artist who uses rules and instructions to generate artworks. These instructions may emanate from her colleagues when she works collaboratively, or from the artist herself. Because of these hidden rules, her approach to figurative painting aligns her with conceptual artists from the Oulipo movement to Yoko Ono, whose classic artist book Grapefruit provides instructions on how to make conceptual art. The rules are ‘hidden’ because in many ways the instructions behind the paintings are not apparent in the final result on the canvas.
Patterns of the Family reiterates some but not all of the attributes of previous works by Haraldsdóttir. Ndebele patterns, which appeared in her work as early as 2012, return as prominent backdrops to the family portraits. Photos from the family archive are further elements this series shares with Day Four from her series Genesis. Plant life, featuring prominently in Sulla and Family, 1948, also played an eminent role in previous works such as The Mangrove Tree and The Ocean and Sun. Patterns of the Family is a new and convincing addition to Haraldsdóttir’s work, which explores the complex structures of multi-generational Icelandic families in a novel way.

Erla S. Haraldsdóttir works with painting, animation, video, and photomontage as a means to appropriate and restructure reality. An academically trained painter, she currently focuses on painting where the physicality of paint and color create space, light, and shadow.
Her work combines figurative motifs, abstract color, and patterns with painterly finesse. The works often explore how memories, emotions, and perception interact. Methodology is central and Haraldsdóttir’s process-driven work is often based on a combination of rules and restrictions, places or stories, and tasks assigned to her by other people.

A selection of places where Haraldsdóttir has exhibited includes: Lund Cathedral, The Crypt, (Sweden), Hallgrímskirkja, (Reykjavík, Iceland), Kalmar Konstmuseum (Sweden), Moderna Museet (Stockholm), Akureyri Art Museum (Iceland), Kunstverein Langenhagen (Germany), Bielefelder Kunstverein (Germany), Künstlerhaus Bethanien (Berlin), Berlinische Galerie (Berlin) and the Momentum Biennial of Contemporary Art (Moss, Norway). Her work is represented in public collections in Iceland (National Gallery of Iceland, Reykjavík Art Museum, Akureyri Art Museum, ASÍ Art Museum) and in Sweden (National Public Art Council, Moderna Museet). She has completed numerous residencies including Bag Factory Artists Studio (Johannesburg), Künstlerhaus Bethanien (Berlin), Cité des Arts (Paris), and Ateliers ’89 (Oranjestad, Aruba). Haraldsdóttir studied at the Royal Institute of Art in Stockholm and the San Francisco Arts Institute with a degree from the Valand Academy of Fine Art in Gothenburg, 1998. Born in Reykjavík, she currently lives and works in Berlin. From 2011 to 2015, she was a guest professor at the Umeå Academy of Fine Arts, Sweden.

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